A Few Anecdotes about My Hexagonal Pavilion

On its last day, let me end 2011 with a personal note.  After two laborious years, the hexagonal pavilion (六角亭) Bob and I started in September 2009 is finally finished (actually, I can only take credit for the inspiration, design and quality control; Bob is the one who built it):

To compare, here is a photo of it in the first winter:

From the beginning I racked my wits trying to come up with a good name for the pavilion. After many failed tries, the name arrived without effort. In December 2009, I emailed the above photo to a friend, Wang Yan, in China. He replied:

宋人当年每起一亭，必做文以记之，如“喜雨亭记”，“黄州快哉亭记”等，皆吾所爱。但最爱者，为苏东坡“超然台记”。

In translation:

In the Song Dynasty, whenever a pavilion was built, notes were written to record it.  I love such notes as those for "Happy Rain Pavilion," "Huangzhou Pleasure Pavilion," etc, but what I love the most is Su Dongpo's "Notes on the Terrace of Transcendence."

Terrace of Transcendence,  Shandong

I had forgotten all about it: The Terrace of Transcendence (超然台), in Shandong Province, was where the great Song Dynasty poet Su Dongpo wrote his eternal verse "Bright Moon, When Was Your Birth" (明月几时有). (Some translate the poem title as "When Will the Moon Be Bright," which is clearly incorrect to me as the poem itself indicates that it was written during a full moon.)

The word "超然," besides "transcendence," can also be translated as "detachment,", "aloof," and so on.  "Transcendence" seems to fit our mood the best and, on reflection, it must be more than coincidence that we live in the area where the 19^th century "transcendental movement" originated.  It was sitting by Walden Pond one day in 2010, for example, that Bob wrote his letter of resignation to the company where he had worked for two decades. (Later, when discussing the pavilion name, I asked him, jokingly, what we are transcending, and he said, "The chaos of office politics." In that case, I “transcended” seven years earlier than him, when I quit my job as an algorithm developer with steady income and became a writer with two sleeves of clear wind (两袖清风). :-))

Looking back, my whole life seems to be a struggle between aspiration for some sort of transcendence and failure in achieving it. No matter.  Don't you know a classic Chinese saying, "Though unreachable, my heart longs" ("虽不能至，心向往之")?

Thus we settled on the name for our pavilion:  超然亭, or "The Pavilion of Transcendence."

The last touch to complete the construction requires an engraved plaque, or 匾 (bian), with the name inscribed.  I decided to use seal script (篆字) for the inscription, and easily found an on-line generator for the three characters. But the color combination for the background and the characters was a bit difficult to figure out, even with computer simulation.  I asked around for opinions among Chinese friends, but they were as varied as our own.  Alas, one friend convinced us that "only black characters on a wooden background would match the meaning of the words."

I sent the specification for the plaque to my sister and solicited her help to have it made in Shanghai. She took my request seriously.  A few days later, she wrote back (in translation):

At first I thought this would be simple, because on Puxi's Fuzhou Road there are all kinds of culture and art stores that make anything and everything. When I went to the store that made frames for my paintings, however, the wood-master who has worked on this 'culture street' for more than 30 years told me no store makes bian (匾). 

I didn't believe him, and walked through the entire Fuzhou Road to look. I found several engraving shops that make metal or plexiglass seals.  The workers, all young men in their 20s, had their mouths gasped in the shape of the question mark on hearing the word bian (匾), clueless as to what kind of thing it is. A nice young man called the storeowner for me. The owner asked, 'What is bian?'  I had no choice but say, 'It is a piece of wood engraved with words.' 'Aha,' he said, 'store sign!' I was speechless.  He then said if I provided a piece of wood he could engrave the words for me, 60 yuan a character.  Well, where do I go to find the wood?  Not to mention the wood for a bian requires certain machine processing.

I called directory information asking where to find a store that makes bian.  The operator was even more amazing. "Bian?" she said, 'you mean shoulder pole (bian dan 扁担)?'

I hadn't thought that Shanghai, the so-called international cosmopolitan center, would be so culturally ignorant.

I searched the internet with no results. An entire day was wasted.

The next day, my sister (who lives in Pudong) went to Puxi again and randomly looked around.  When she almost gave up, she ran into an auction store, above its door hanging an antique plaque with the inscription of "青莲阁," looking cultured.  She ran to the third floor asking if anyone knew where that plaque was made, and everyone thought her absurd. Fortunately she ran into a passerby, Mr. Dai, who said he knew which contractor made the plaque, and he helped to find their phone number. The very kind Mr. Dai also advised her that elm would be the best material for making a bian.

My sister then called the number Mr. Dai gave her, and found a Mr. Shen, who said he wasn't the right person and provided another number. Through that number my sister reached a Ms. Li, who told her to meet at a far place, nearly an hour's subway ride away. It turns out Ms. Li is a Fujian migrant worker in the business of antique imitation. My sister had finally found someone who is not a Shanghaies and knows what a bian 匾is.

And certainly, the bian is made of elm, just as Mr. Dai advised:

I can't wait to hang it up on the pavilion next spring.

Btw, Bob is writing a series of posts on the process of building this beautiful monster.  His first post is already up here.

Christmas in Shanghai

by Maple, guest blogger,  December 25, 2011

[in translation， 中文原文附后]

At Jing'an Temple in Shanghai

I don't know when it started, but my Chinese countrymen have increasingly lost feeling for traditional festivals and become more and more heated up by Western holidays. Even economic depression and "End of the World" panic can't hold back Shanghai's fervor to welcome Christmas.

At a mall in Shanghai

In a place that always leads the fashion trend and where there is no shortage of foreigners and foreign enterprises, it may not be so strange for some people to take this ride for a bit of fun, but when an entire city collectively goes crazy for a foreign holiday, it is a different matter indeed.  Here is the humility that goes with Christianity—such respect for others' cultures must be an overwhelmingly pleasant surprise to the 0.5% of the population in Shanghai that is foreign. So harmonious.

In Shanghai's Zhengda Square

 Each year, when Christmas approaches, the joyful atmosphere seeps to every corner of the city like overflowing water. When nights fall, the city is ever so gorgeous with lit-up trees, silver flowers and colorful embroideries of light, while Christmas music incessantly drones on. Excited young people dress exquisitely, like flowering branches vying for attention. No matter a big department store or small supermarket, no matter a bank or restaurant, no matter a foreign-invested or domestic enterprise or even a government organization, at every building's door there is a Christmas tree fully decorated with neon lights and bags of  presents. Even small residential enclaves and ordinary hospitals are not spared. So what if you are a Buddhist or Muslim, when you go home or go to the hospital, you get to celebrate Christmas.

In Shanghai's hotel

A while ago there was a joke circulating on the internet: in a contest for the most enigmatic department on the earth, the winner is China's "relevant department" ("有关部门").  I suspect, to place Christmas trees in every corner of Shanghai is the glorious mission of a "relevant department."

In a residential enclave of Shanghai

Perhaps people so exhaust their enjoyment during Christmas, that when it actually comes time for our own spring festival, the reaction from both businesses and the populace is fatigued.  Besides the dull red lanterns, sausage and smoked pork, plus the CCTV Gala Show that gets worse and worse every year, there is nothing else. Compared with people's enthusiasm for Christmas, spring festival no doubt is cast in the shadows.

In Shanghai's supermarket

Nowadays when commenting on something interesting, the Shanghai idiom goes, "That has some tunes" ("老有腔调的").  Is it because we Chinese are so insipid and constrained in nature that our traditional festivals are spent with fewer and fewer tunes?  Otherwise why, when the fun and relaxing foreign holidays such as Halloween, Valentine's Day, and Christmas are introduced,  do we progress from fascination to enthusiastic talk  to glad acceptance?  As to why Halloween involves masks, where Valentine's originated or whose birth Christmas is celebrating, no one cares as long as there are big meals to eat, discount goods to buy and colorful decorations to see.

But let's cut the cackle. On Christmas day, real Christians go to church to hear sermons, sing hymns, and read the Bible. There you will again run into situations between laughter and tears.  At the gate of the following church, for example, a bunch of Henanese sit there begging—

On Christmas Day, beggers at a Shanghai church

Even beggers in Shanghai know today is Christmas. That adds some tunes. They must have their simple logic – merciful Christians probably won't refuse to give charity on this special day.  That is why they deploy the most primitive ruse of bodily suffering:  on a frigid winter day, sitting on icy cement ground, wearing patched clothing and a faint smile, they languidly chant to the church goers: Please do something kind, bosses, please do something kind!

The foreigners pass by unfazed, but how can the fellow Chinese bear it? One digs into his pocket and hands money to a begging woman.  The woman takes the bills and says loudly, Thank you, you the good heart! You really are a living Buddha!

The Good Heart sighs looking up to the heavens, Oh my Lord!

Yang Rebuts Dikötter on Famine Research

[Note:  I don't know either Frank Dikötter or Yang Jisheng, but I have read both China's Great Famine (in English) and Tombstone (in Chinese), two books I'll be reviewing.

For research purposes, I'm intensely interested in finding out whether Mao really said "It is better to let half of the people die so that the other half can eat their fill," and if he did, in what context.  According to Dikötter, Mao made the speech on March 25, 1959, in a secret meeting in Shanghai, but the source Dikötter cites in his book is "Gansu" – Gansu's provincial archive. If Dikötter can show us the complete speech of Mao that contains those words, or the complete context if they are words attributed to Mao by someone else, that would be a great help to all researchers of the subject. – Xujun]

Update:  my review for both books has been published in LA Review of Books in January 2012:  "The Teacher of the Future"

杨继绳答冯克先生对《墓碑》的评论

In Response to Mr. Dikötter's Comments on Tombstone

by Yang Jisheng 

Independent Chinese Pen Center, November 16, 2011

[In translation]

Not long ago, when I heard that Mr. Dikötter's book on China's great famine had been published, I was very happy: with one more comrade researching China's great famine, I felt in my heart the consolation of not being alone. Later, when I heard his book had received an award, I was again very happy, for our research field had attracted serious attention from international academic circles.

I got to know Dikötter in 2007.  I was visiting the Chinese University of Hong Kong, mainly to make use of its various chorographic resources for my final proofreading and correction of the Tombstone manuscript. Beijing’s Library on Wenjin Street also has chorographies, but does not allow open-shelf reading; one has to check out a single book a time to read, which is very inconvenient. 

One day perhaps in May 2007, through the introduction of Prof. Cao Shuji of Shanghai Jiaotong University, Dikötter found me at CUHK. I told him about my research.  He said, "You study about death; I study about survival."  I thought his angle was original.  We also discussed the number of [starvation] deaths. I said 36 million is only an approximate number; it is impossible to find an accurate count. Later I gave a talk at a lunch meeting on China's great famine; I remember Mr. Dikötter was also there.

Tombstone was published in May 2008 in Hong Kong by Cosmos Books, and it triggered unexpectedly strong reaction.  Sometime later, probably in 2009, Dikötter's assistant Ms. Zhou Xun visited me in Beijing. I gave her some information and methods for gathering famine data.  I half joked, "With your Chinese face and pure Sichuan dialect, maybe you could sneak into Sichuan's Provincial archives!" 

I have not read Mr. Dikötter's book (note: Mao's Great Famine has not been translated into Chinese – Xujun), and can't make comments except to congratulate. But I'll have to say a few words in response to his comments on Tombstone. I read his comments from the October 30, 2011 issue of Asia Weekly.  This is an influential journal; if I don't provide a bit of the necessary response, it will be difficult to clear up its many readers' misunderstanding of Tombstone.  A few things are discussed in what follows.

1.  Mr. Dikötter speaks of the causes of the Great Famine: "This is a system or structure issue, not that of a certain person.  That's the biggest difference between my book and Yang Jisheng's."  Anyone who read Tombstone knows that, from the introduction through every chapter, the book talks about the system issue; it never says the cause for the great famine was the problem of "a certain person." In addition, Chapter 26 focuses on analyzing systematic causes of the famine, and Chapter 27 explores the theoretic roots of the system. I always think that, to inculpate Mao Zedong alone for all China's problems in the 30 years before Reform, such as anti-rightists, the great famine, and the Cultural Revolution, is contrary to historical facts, and is superficial.

2. Mr. Dikötter says, "He [Yang Jisheng] writes Mao Zedong as very bad, the Communist Party as very good."  Tombstone neither says "Mao Zedong is very bad" nor "the Communist Party is very good," of course it does not say Mao is good either.  Not only are there no such words, but also no such meaning, in my book.  Readers who have read Tombstone must think Mr. Dikötter remembered wrong.  Tombstone just objectively writes the historical course as it occurred. When writing about several leaders of the Party central, the book does not give any evaluation of "good" or "bad," because that kind of simplified evaluation is not scholarly thinking, and is not scientific.  Especially for such a large-scale catastrophe as the great famine, the roots are in the system, it can't be the consequence of whether a certain person is "good" or "bad."

Speaking of Mao Zedong, I will have to point out, one piece of information Dikötter introduced to prove "Mao Zedong is bad" is not reliable. Dikötter quotes Mao as saying "It is better to let half of the people die so that the other half can eat their fill." Based on my many years of research on the great famine and Mao Zedong, I am positive that Mao did not say such words.

3. "He [Yang Jisheng] says Zhou Enlai is wonderful, Liu Shaoqi is wonderful, Deng Xiaoping is wonderful; as such this cuts apart the history of the relationship between Mao Zedong and the Party."  Readers of Tombstone can testify, my book absolutely does not have any such words as Dikötter says it has. Not even a hint of such. Tombstone only states historical facts and the systematic systemic causes that made them happen; it does not evaluate credits and faults of any particular leader. In addition to describing Mao's words and behavior, Tombstone especially spends many pages describing Liu Shaoqi's speeches during the Great Leap Forward, and then states: "When I list here a series of speeches by Liu Shaoqi that led to the 'Five Winds,' it is not to say that the source of the 'Five Winds' was Liu. It is also not to reduce Mao's responsibility; rather it is to illustrate that, after the criticism of 'countering rash advance,' the majority of the then Party leadership was in keeping with Mao’s attitudes and was supportive of Mao. Among them, Liu Shaoqi and Zhou Enlai were in tune with Mao; sometimes they even spoke more radically than Mao."

4. Dikötter says, "On the so-called three-year natural disasters, in fact there weren't big natural disasters." In fact, it is not that there weren't big natural disasters.  There were natural disasters. To research the impact of the natural disasters on farm crops, I went to the National Meteorological Administration five times to gather information and seek advice from meteorological experts.  My conclusion: "Natural disasters occur every year; those three years were normal years. The cause of the Great Famine was a man-made disaster."

5. Dikötter says, "His [Yang's] book rather emphasizes on how many deaths occurred in which province, which place. To use a not very appropriate word,  I feel that's a bit stupid (无聊)." 

Dikötter calls my research on each province's death numbers "stupid"; to this criticism I would rather not respond. Readers please make your own conclusion. But I do want to make clear that, for this "stupid" thing, I indeed expended great efforts. For example, I sought advice from many demographers, and had in-depth discussions with them. I collected nearly all foreign and Chinese demographers' research data on China's famine death figures, studied their methods, and analyzed their calculation results. Further, I hand-copied each province's relevant data, book by book, from the 30 books of  Population of China, drew up tables to organize the data,  and then calculated the data province by province.  Each day, I calculated the data after work; one evening was enough for only one province. Why did I devote such big efforts in such a "stupid" thing? I treasure life. Behind every figure is an array of lives from birth to death.

6. Dikötter said many times that, his biggest discover is that besides starvation deaths, many people were beaten to death.  Is this his new finding?  Readers of Tombstone know this well, readers of Ms. Qiao Peihua's Xinyang Incident know this well, too. Both books described many cases of peasants being beaten to death.  Tombstone was published three years earlier than Mr. Dikötter's book.  Xinyang Incident was published over a year earlier than Mr. Dikötter's book.

7. Mr. Dikötter said many times that China's archives are now opened, he visited China's inland archives and read over a thousand documents relating to the great famine, and said his book is based on the archive materials.  I went to 10+ Provincial Archive Establishments as well as the Central Archive, hand-copied and Xeroxed several thousand original documents; the hardship I experienced is unspeakable. I had the status of Xinhua Agency's senior reporter, and the help from many high-ranking friends, and still I ran into lots of trouble and setbacks; some provinces did not let me in. … As far as I know, China's famine archive is not opened. Some Archive Establishments opened other files, but those related to the famine have a small rectangular stamp on them with the word "restricted", and reading is not allowed. Mr. Dikötter is a foreigner with distinctive exterior and language, who'd have thought he could access over a thousand files of the famine archives!  There must be some tricks.  If he could tell of his experience, it would be a great help to all scholars of China.

Yang Jisheng, October 28, 2011

-------------------------------
(Update: Thanks to  Joshua Rosenzweig for pointing out that Mao's Great Famine has been translated into Chinese j.mp/rfrHtU.  – Xujun)

(Update 2: My review for both books has been published in LA Review of Books in January 2012:  "The Teacher of the Future"   – Xujun)

China's Officialdom Novels: Translators Pay Attention!

There is a rumor on the Chinese internet that, at various government levels, Party bosses are requiring their secretaries and subordinates to make a new novel their "must-read." This novel, which I'm reading right now, is titled "No. 2 Boss." (By the way, the Chinese word "首长" is a bit difficult to translate precisely in this context.  I'm using "boss" for the moment.  If anyone has a better suggestion, I'm all ears.)

In China's "officialdom" jargon, "No. 2 boss" refers to the boss's secretary (administrative assistant), and this novel's protagonist is the secretary of a provincial Party chief (roughly the equivalent of a governor). Such a character's wide perspective on the Chinese officialdom sphere, from the central government and Party apparatus to the local bureaucrats, supports a plot that is never dull.

The author, Huang Xiaoyang, apparently has intimate knowledge of government business and its daily particulars. In this tremendously entertaining and stunningly detailed novel, Tang Xiaozhou, a journalist-turned-secretary, navigates the open strife and veiled struggles of provincial politics with great skill and craftiness.  While more or less maintaining the tenets of basic decency in a world full of corruption, the protagonist does not sacrifice his own opportunities for advancement.

I have finished reading the first two volumes of the long novel, which can be bought online and in bookstores everywhere in China. The author is still working on the third volume, and is publishing one page a day online as he writes it. Such serial installments as a form of novel publishing in China can be dated back to 1892, according to this study. The difference today is the internet has overtaken newspapers. I confess that reading one new page a day of a Chinese novel has added a certain addictive pleasure to my daily morning tea.

The political worldview expressed in "No.2 Boss," not surprisingly, has a heavy imprint from a Chinese politician's cynically pragmatic angle, and some of it might be unacceptable to American readers. At times, I also feel the book's excessive number of sex scenes undermine its literary quality. (I hope to address these issues more explicitly in a longer review later.) On the other hand, the novel's realistic and meticulous portrayal of Chinese political culture has irreplaceable value to anyone who is interested in understanding China.  Nowadays, an unprecedentedly large number of Western writers and journalists are working and living in Beijing, Shanghai and other Chinese cities,  publishing more and more books written in English.  These books make significant contribution for the world's understanding of China, and the viewpoint of  outside observers is often refreshing to Chinese readers as well.  However, no foreigner could have written a book like "No.2 Boss"; the nuance could only come from the hand of a cultural insider.  

By the way, officialdom novels are not a new genre in China as some foreign observers think. The genre flourished in the Qing Dynasty. In my youth I read with great interest several of those novels mentioned in this article. The genre disappeared in the Mao era, but has made a comeback in recent decades. It seems to be reaching a new peak now. The fact that the genre has become hot again might be a bellwether for the level of government corruption.

Update: here's my longer review in Foreign Policy:  The Rules of the Game

Related links:

• The Officialdom Novel Shines Light in Dark Corners
• Novels about officialdom are hot sellers in 2010
• Rules of engagement
• 重庆一局长写《官场笔记》 登上全国作家富豪榜

Will Chinese Go Alphabetic?

Yesterday, an email header in my inbox caught my eye, not because of its subject but its language. So I clicked the link.  Here is the screenshot of what I saw:

Note the English word "Hold" in the middle of the otherwise all-Chinese headline that translates to: "Can Real Estate Developers Hold Any Longer?"  The article is a commentary from the independent media group (a rare presence in China) Caixin's website, caixin.cn.  

Though English words do show up here and there in Chinese blog posts nowadays, this is the first time I have seen a reputed Chinese publication mixing the two languages in an article.

Why does the author, who looks quite young from the photo, feel the need to repetedly use a particular English word in a Chinese article?  It's possible that he thinks it expresses his meaning more accurately than Chinese; it's also possible that he thinks this mixed language could be a more attractive style of writing for his readers. But, reading his headline makes my tongue feel utterly awkward.

It reminds me of a Mao quote that sticks from my childhood memory, when reciting Mao quotations was a fashion during the Cultural Revolution. "Language and writing must be reformed to go alphabetic, the common direction of languages in the world," Mao said.  And he indeed gave it a try in the 1950s.  Peter Hessler had an excellent piece in the New Yorker several years ago that tells the language reform history.  As it turns out, the reform attempt did not manage to alphabetize written Chinese, though it resulted in the official "pinyin" system that uses the Roman alphabet to assist the learning of Chinese pronunciation, as well as the simplification of some characters.

Since then, the debate on whether written Chinese should be replaced by an alphabet has never ceased.  By birth, I'm a big fan of the square Chinese characters, which hold cultural, artistic and semantic richness in strokes and structures. I am not eager to see them go. However, today's young generation of Chinese seem to be a lot less attached to their ancestral language, one of the consequences of globalization I suspect.  I had never believed our beautiful square characters would one day become obsolete; now I'm not so sure. 

My Own "9/11" Complex

... reposting a personal essay from three years ago.  

The Camphor Suitcase

(Published in Literal Latte, 2008)

In the recent Year of the Snake — I remember because it's my daughter's sign — the image of a maroon suitcase made of camphor wood began to follow me like a phantom. It became most vivid in the dusk as I drove home from work, when my mind was free from corporate politics and daily domestic troubles. Along the road from Newton to Wayland, the famous New England autumn painted my windshield with shifting hues of golden red, dark red, light yellow, bright yellow, eclipsing shades of green and other unnameable colors. For me, born in southwest China, New England’s icy five-month winter imposes an unjust imprisonment; spring is practically non-existent; summer plays the double role of benefactor and spoiler; only the brilliant and solemn autumn calms my soul. But it failed me that year.

I hadn’t set eyes on the camphor suitcase for 13 years. (>>read the complete essay here)

"9/13 Incident" Special Issue

Today is the 40th anniversary of the "9/13 Incident" that resulted in the death of Lin Biao, a man whose name was second only to Mao's during China's Cultural Revolution. Remembrance, a Chinese e-journal devoted to CR research, has published a double issue this week on the event and its aftermath. The editorial states:

The political earthquake that occurred on September 13, 1971 greatly changed China – the "thorough victory of the Cultural Revolution" myth,  the "proletariat headquarter" myth, the "united, victorious line of the Party's 9^th Congress" myth,  and the myths of how wise and great Mao Zedong was and how his sharp eyes could perceive the minutest detail, all tumbled in one huge sound [of a plane crash] in Öndörkhaan. Most of the six hundred million Chinese then, no matter they were the "force" or "subject" of that "great revolution," no matter the differences between their social status and living conditions, felt the power of that quake. Because of it, many people's life trajectories were changed, and even more changed their thought trajectories. After 40 years, to recall the marks of "9/13" left on individual lives and to assess the main characters of the event and the related national history, is interesting and meaningful.

I was in middle school at the time, and I experienced shock and confusion. Even today there are still many unanswered questions about Lin Biao's alleged defection and the plane crash. Several articles in the special issue of Remembrance are written by children of the army generals accused as Lin Biao's co-conspirators. I heaved a deep sigh reading their memories. They provide a rare glimpse into the politics of China's highest echelon at the time. If you can read Chinese, click here.

(Note: I volunteer to host Remembrance on my website because the high quality e-journal has been publishing valuable materials on CR that can't be found elsewhere. Due to the sensitivity of the subject matter, the monthly journal does not have a website in China.)

Who Is the Guilty Party?

by Anonymous

(Note: I got this from a friend in China who asked to remain anonymous. – Xujun)

[In translation]

CHINA — Two years ago, I bought a tiny flat from a stranger. While making some minor changes to the old interior, the electrician I hired found problematic wires, and that the electricity meter outside did not work. The electrician, who had more than 20 years of experience, concluded that the previous owner had messed about with the meter in order to steal electricity. He pointed to a jumble of wires and tried to explain – why this wire did not connect to the meter and that wire did not connect to ground – only to make me further confused. Finally I got the gist of what he was saying: the previous owner installed a very small switch inside the apartment, and reconnected the meter to the switch, which fully controlled the meter's readings. As the result, if he had used 100 kwh of electricity, the meter would only read 10 kwh.

This was the first time I heard of such a thing, so I was at a loss as to what to do. I asked the electrician, "Could you please rewire the meter to its original design for me?" He teased me, "Why should I? Isn't it better for you to save electricity cost?" I waved my hand and said, "Drop it, I'm a coward, I won't be able to sleep if I steal. The money saved this way wouldn't even be enough to buy me sleeping pills."

The electrician fiddled with the meter, but in the end couldn't do much to help, because there was a red seal in it that said, "Do not remove seal, Electricity Bureau only; otherwise bear full consequences." He said he couldn't take the responsibility.

I called the previous owner, who neatly denied everything. His voice was full of surprise: "Really? Really? I had no idea! How could it be?"

With no choice, I went to the housing estate's property management, hoping they would help me solve the problem. The director was a young man who looked like he was just out of college. He patiently heard me out and calmly said, "Things like that are not our responsibility. We wouldn't dare to touch that seal either. Why don't you call the Electricity Bureau, perhaps they will send someone for you? But…" he hesitated a few seconds and then said, "For this kind of thing, you know, the Electricity Bureau is very hard to deal with…" He stopped again, his expression looked restrained.

Coming out of the property management office with a foggy head, I ran into Manager Zhou of the real estate agency. After listening to my story, he warned me against acting rashly. "I have heard things like this before," he said, "the Electricity Bureau only holds the current owner accountable. Change electricity wires without authorization? Fine 5000 yuan. You don't pay? They cut your electricity immediately."

I argued, "Can't they be reasoned with? I haven't even moved in, how can it be my doing? Plus, if it were me who did it, why would I take the trouble telling them? It only makes sense for them to consider it the previous owner's responsibility!"

Manager Zhou laughed in surprise: "My God! Are you from an alien planet? China's electricity is a monopoly trade, they are the boss, who do they fear? What's there to reason with them? They don't care to figure out who's right or wrong; it is the most convenient to just grab you. You want to live in this house? Then you have no way to escape. Even going to the court it is 100% your fault. Believe it!"

I didn't believe, but I took his advice to make the call from a public phone a few housing estates away. I explained the situation to the Electricity Bureau. The woman who answered had a flat tone like machine: Please provide your name, phone number, and address.

With Manager Zhou wagging his head to signal me, I hurriedly said this was for a friend, who just wanted to know what she should do in this case.

The woman's tone was unchanged: 5000 yuan fine. After the fine is paid we will send someone to fix the wires.

I couldn't help but raise my voice: "But this wasn't my friend's fault! It was the previous owner, don't you understand? Wouldn't you be wronging a good person and letting a bad one go?"

The woman's same cold voice held to the end: We only hold the current owner accountable. This is the procedure.

I almost cried out: Fuck the procedure! Are you a robot?

I also wanted to say, Are you forcing an innocent girl to prostitute herself (逼良为娼)?

Manager Zhou looked at me sympathetically: "You really don't need to care, let it be. It's not just one or two households stealing electricity. To tell you the truth, the house I rent now has the same situation. In our building 60% of apartment owners do this."

I was speechless for a while. Then I said, "No way! Thieves are in the open, and a moral person must sneak around, this is turning things upside down! I don't care what others do, I must correct the meter. Please help me find a way."

Manager Zhou gave me a wry smile: "Never seen one as stubborn as you are. Go look in the famers market, there may be someone specialized in this sort of thing."

I suspected he was toying with me. I often went shopping in farmers market, how come I never saw such a person?


In a corner of the market, I asked a fish seller if there was an electricity master who could change wires. He pointed behind without lifting his head. A fat man wearing oil-stained clothes took the hint and came to me, asking directly: "Where do you live?" and then simply said: "500 yuan."

I glared at him: "Are you robbing me? At most 200."

He did not get upset, but smiled: "What a temper! 200 then. Deal."

The fat man made a call, lowering his voice to give the other end my address. He then told me "Go wait at home. Arrival within an hour."

In less than half an hour, a slight man wearing the work robe of Electricity Bureau arrived. Within a minute of opening the electricity meter, he was done. Seeing suspicion in my look, the man said: "Rest assured. Wires corrected and the seal replaced. I'm from the Electricity Bureau myself and have done this job often. There will be no problem."

I was curious: "You are often asked to change wires?"

He said frankly: "Illegal changes are naturally more than corrections. I do all. 500 yuan for an illegal change, not a penny less. For corrections I can give better prices."

I saw a big wad of seals in his bag and suddenly understood: When the electricity meter was changed in the first place, the seal must have been removed; why did I see one that was intact? The only answer is: the Electricity Bureau's staff must be the thief who steal what they are guarding (监守自盗). Who knows, perhaps the one who changed the wires last time was the same man today?

I sighed about the shadiness when I handed the man the money.

He said modestly: "We are just giving a hand to help everyone, otherwise what's to be done? Everyone needs to be fed, right?"


Nearly two years passed. On a hot day last month, the power went off at noon. I called the Electricity Bureau, and a worker arrived in 5 minutes. He said the fuse was burned and needed to be changed to a thicker one. Then he discovered something and said: "The meter has been messed around with."

The adage goes that "A thief's guilty consciences make him cowardly (做贼心虚)." I wasn't the thief but was cowardly all the same. I tried my utmost to deny.

The worker said: "Come and see – someone changed here. The ends are still here. We experts can tell with one glance. No need to deny. I'm going to call the Bureau and have them handle this."

He started to dial his cellphone. I was forced to ask pardon. I told him the whole story and hoped he would let me go.

I bet the man was just a big boy not even 23 years old. With plump cheeks and shining eyes, his face was full of innocent smile. He said: "I believe you. But the other guy did not do a thorough job. He must have been posing as an Electricity Bureau staff. Also possible he's a relative of a staff member, got the work robe, and used it to make money. You found me by calling the Bureau, so I can't be fake. I can redo the correction for you and ensure you can sleep in peace from now on."

Now seasoned, I asked: "How much?"

He said calmly: "At least 300 yuan."

I said: "At most 200. Please give me your name and cellphone number. I don't want to be endlessly extorted by you Electricity Bureau people."

He smiled brightly: "Don't get angry, we are only taking money to remove ill fortune (拿人钱财替人消灾)."

Two minutes later he declared everything was OK now. He left his cellphone number and told me to call him if there was any problem. "But there won't be any problem. Rest assured, there'll be problems no more." His smile was very warm.

"Grandpa Mao, I don't miss you at all"

By Maple, guest blogger

[in translation]

Only a week ago I had thought that Shanghai, the so called cosmopolitan city, wouldn't be so off the beam as Chongqing. 

Last week I went to the Shanghai Library and discovered the entire hall was decorated red: on walls were full of Party history file photos; from the broadcast came the song "the sun is the reddest, Chairman Mao is the dearest"; offered to patrons for free were red rice and pumpkin soup (Red Army food – Xujun).  Very ostentatious!

Many people left comments under the "red" photos; of course those were politically conscious old comrades who extolled the Party. Very interestingly though, below the photo of Comrade Mao Zedong was a line of childish writing:

"Grandpa Mao, I don't miss you at all, because I see you on RMB every day."

I was going to take a photo of it with my cell phone; immediately a staff member came to stop me, class struggle written all over his face.  I smiled at him: "I just want a memento of your propaganda. What's the big deal?"  He asked back directly, "What is your work unit?" I had to "run away with my tail between my legs."

(Note:  1. RMB is Chinese banknote; 2. "Imperialists ran away with their tails between their legs" is a line in the red song "Socialism Is Good." – Xujun)

中文原文:

一周以前我还以为上海这样的所谓国际大都市不会像重庆那样离谱。

      上周去图书馆，发现整个大堂都布置成一片红了，满墙贴的都是党史资料照片，免费供应红米饭南瓜汤，放着“太阳最红，毛主席最亲的歌”。阵仗得很！

       那些红色照片下有不少人留言，当然都是有觉悟的老同志在歌颂党啦。但在毛泽东同志的画像下有一行稚气的文字很有意思：毛爷爷，我一点都不想你，因为我天天在人民币上看见你。

       我拿出手机想拍照，马上有工作人员来阻止，满脸的阶级斗争。我笑言:你们搞宣传，我也作个纪念，有什么关系呢？工作人员就直接问：你是那个单位的？我只好夹着尾巴逃跑了。

My Block Booking for a Red Movie in Shanghai

by Maple, guest blogger

[Note:  July 1st this year marks the 90th birthday of China's Communist Party. To celebrate it, "red" movies and TV shows are sweeping the country, to the extent that popular spy shows are banned May through July. The biggest film made especially for this occasion is "The Great Cause of Founding the Party" (《建党伟业》), which, in the China-made English ad, is translated as "Beginning of the Great Revival." Its release day was June 15th.  Here is the experience of an ordinary moviegoer on June 17th. -- Xujun]

[in translation， 中文原文附后]

(Shanghai, June 17) I went to a movie theater this afternoon, to give myself a break after a week of intense painting. A French movie festival was ongoing, but I would have to wait until evening to see it. The 3D "Kung Fu Panda" was on, but that kind of fad is for teens with high-tech addictions and would only daze me.  

Coincidentally, the movie "The Great Cause of Founding the Party" (《建党伟业》) was about to start in 5 minutes. I bought the ticket, as if guided by a deity. Entering the screening room, I was stared at by the theater staff. They were whispering about me -- did they suspect my head was crushed by the door?

It turned out that,  in the whole screening room, with more than 400 seats, I was the only audience member, the only person who voluntarily dug into my own wallet to receive the "red" education.

To be fair, the movie is well made. The plot is tight, some details are moving, and the actors are high quality.  But to put more than a hundred of the most famous stars into one movie, that seems like a practical joke.

Last time when "The Great Cause of Founding the Country" (《建国大业》) was made [in a similar fashion], many people went to theaters driven by the urge to "identify famous faces." From the beginning to the end, every time a face appeared on the screen, the hundreds of audience would roar in one voice: "Tang Guoqiang!" "Liu Yiwei!" "Liu Dehua!"  For two hours, all were engaged in identifying, shouting, and guessing; identifying, shouting, and guessing. No one knew what the movie was about.  To call it "great education for all people" is not as precise as "great entertainment for all people."  Perhaps this was the leaders' real goal after all? Educating by entertaining?

Now once again the great entertainment comes, but the masses are tired, they don't want to play anymore. They have left me alone doing the identification and guessing. I still don't understand why Zhao Benshan (赵本山) would wordlessly stand in Yuan Shikai's (袁世凯) shadow, with an expression half laughing half crying, and why Liu Yunlong (柳云龙), an actor I admire, would be half hiding in the left lower corner like a shadow. This was too distracting! I identified this face and then that, couldn't hear at all what Zhou Runfa (周润发) was saying. What was the director's motive? I couldn't enjoy the movie itself, I was only thinking: Why is Wang Xuebing (王学兵) so haggard? Who is playing Xiaofengxian (小凤仙), so beautiful?

      

The most far-off thing was that all the scenes of Tang Wei (汤唯) were removed. She was acting Mao Zedong's first love (not Yang Kaihui), but because she had been all nude in "Lust, Caution," someone thought she would tarnish the great man's image.  Yet Liu Ye (刘烨), the man who plays Mao himself, had starred in the most well-known homosexual film "Lan Yu" (《蓝宇》), with many shots of him all-nude in bed. If the same logic were used, wouldn't he tarnish Mao's image more directly? If we were back in the Cultural Revolution, the director would certainly be executed twice.

My only consolation is that, as a big screen lover, I enjoyed 135 minutes of exclusive block booking of the theater all by myself. I sat there straight to the last minute, until all names of the actors, workers, and musicians ascended beyond the screen.

For a moviegoer like me who's sick beyond cure, the staff member at the door was very sad. He slowly shook his head, like an owl.

(Continue to read the Chinese text / 继续阅读中文原文)

Li Zhuang Returns Home; Fang Hong's Family Disappeared

After serving one and a half years in a Chongqing prison, former lawyer Li Zhuang returned home to Beijing earlier today.  His son, Li Yatong, posted on his micro-blog a photo of the family sitting in the airplane. I'm always happy to see a family reunion.

A little more than a month ago, Chongqing police had tried, but failed, to extend Li Zhuang's sentence with new charges. (For those of you who are not familiar with Li Zhuang's case, search keyword "Li Zhuang" on my blog and you'll find detailed posts, such as this one, following the trial last year.)

Li Yatong (middle), now in his third year of law school, has been firmly supportive of his father through the whole ordeal. His blog post "宣判" ("sentencing") was widely circulated on the Chinese internet last year.

While Li Zhuang is finally home, a Chongqing citizen, Fang Hong, was sent to labor reform for mocking Bo Xilai's handling of Li Zhuang. Fang also has a supportive and filial son, Fang Di, who hired a renowned lawyer, Yuan Yulai, for his father.  Yuan Yulai is reputed to be most interested in cases of "citizens suing officials." A couple of days ago Yuan wrote on his micro-blog that Fang Di and other family members have disappeared after being summoned by police to talk.

Fang Hong's arrest shocked me more than Li Zhuang's trial, for even the appearance of legal procedure is abandoned. It is a stark naked case of "speech crime." If I had had any illusions about Bo Xilai before, like the first time when I saw his handling of Chongqing's taxi strike in 2008, Fang Hong's arrest was the last straw to convince me Bo is a ruthless politician believing in Mao style iron-handed rule, and a political gambler who stakes all on a single throw.  I just don't know, 35 years after the Cultural Revolution ended, how far Bo can go in today's China.

Chongqing Impression

Some readers of my earlier post "Chongqing Nostalgia. Where Is It?" asked for more stories about Chongqing.  Here are two detailed pieces I wrote that appeared elsewhere last week:

Chongqing Dispatch - China Beat
Gingko Fever in Chongqing  - Atlantic / Fallows

Kissinger Encloses Many Sides of Mao – A Review of On China

On China by Henry Kissinger, Penguin Press, hardcover, 586 pages, $36

Reviewed by Bob Eberlein

“God has sent me an invitation, yet he [Kissinger] says, don’t go.”

So Mao Zedong reflects on the passing of his soul in a conversation with Gerald Ford and Henry Kissinger in 1975. There is a chance that I have seen this quote before. If so, it passed me by. With limited knowledge of China and Mao at the time, I would not have understood the overwhelming irony embodied in the conversation.

Reading it afresh in Henry Kissinger’s new book On China - released today - I laughed and laughed. The conversation follows the riveting story of the opening of diplomatic relations between the US and China that was spearheaded by Kissinger. Though I knew how the story would end, I still found myself reading with great anticipation, for in this part of the book Kissinger has really managed to bring us into the moment, to show us things as he saw them then. And he certainly did not know what was going to happen next.

White or Red: Bo Xilai's Quandary

While in Chongqing last month, I heard this story:

Bo Xilai was puzzled why Taiwan businesses shy away from Chongqing, despite the fact he has "aggressively provided preferential policies to attract investment." The Taiwanese are around and nearby -- they have made the Sichuan province their most popular destination in western China – but they avoid Chongqing. Bo asked the question in a meeting, and he was told, well, it is the "Refuse Pit Prison."

A Poll on How to View Chongqing's 'Sing Red Songs' Campaign

If a public poll from Chinese media means anything, here is one on the website of China's International Herald Leader titled "How to View Chongqing's 'Sing Red Songs' Upsurge." The questions and votes (as of this writing) are translated below:

1. Is it still meaningful to ardently sing red songs in our new era? 

• Yes, the spirit they represent is still worth promoting (39.02%) 
• Yes, they are excellent musical works (6.13%) 
• No, the background of the songs' time no longer exists (40.1%)  
• No, most singers can't understand their connotation (11.04%)  
• No, revised too much (1.54%)  
• Don't know (2.2%)

2. Can red songs arouse the lost belief?

• Yes (17.13%)
• No (55.89%)
• At least some positive effect (24.81%)
• Not sure (2.19%)

The Ambivalent Role of China's Middle Class -- A Book Review

The Chinese Dream: The Rise of the World’s Largest Middle Class and What It Means to You by Helen H. Wang, Bestseller Press, $16.97 paperback, $9.99 Kindle edition

"What do you think 'middle class' means in China?"  I raised this question to Chinese friends during my trip to Chongqing in April.  I was after a spontaneous answer.  From what I heard, the consensus seems that if you own a house and a car, you are in middle class.  An art professor, who owns neither, said that by classical definition a professional is middle class, but in today's China he is no longer sure if he is middle class despite the fact he is a professional.

Chongqing Nostalgia. Where Is It?

I took the following photos earlier this month during my visit to Chongqing, where I could find few traces of anything familiar from my childhood.

The Liberation Monument (解放碑)

The Liberation Monument (解放碑)– Yes, that piteous little thing in the center – the Liberation Monument used to be the great landmark of Chongqing.  Is the towering building on the left purposely trying to mock and humiliate it?

Flat Bread (烧饼)

Flat Bread (烧饼) – Oh my childhood favorite snack! Street vendors of flat bread used to be seen in every block of downtown Chongqing . Now walking through the entire Central District I found only one, hiding in a corner of Eighteen Steps (十八梯). The couple who were making flat bread at first panicked seeing me taking photos; they thought I was a "cheng-guan" (城管) who came to seize their little business.

Controversial Nude Sculpture

Controversial Nude Sculpture – On Chongqing's first Yangtze Bridge, the four nude sculptures, "Spring," "Summer," "Autumn" and "Winter" sparked a big controversy that embroiled the entire city, even the country, in the early 1980s (I participated in the debate).  The artists eventually yielded to public pressure and added a sheer veil for each figure.  The one in this photo is "Spring." (It apparently has been moved because the bridge's width is now doubled.)

The Obsoleted Ferry – In this photo, where a new bridge for light rail is being built, there used to be a ferry dock that I frequented as a child.  My home was on the south bank of the Yangtze looking down those rocks, my childhood haunts.  When I left China in 1988, there was only one bridge on each of the two rivers, Yangtze and Jialing, that surround the city, and ferries were the main connection between the three land areas (The South Bank, River North, and Central District).  Now the total number of bridges exceeds twenty, and all ferries have become obsolete.

Prosecutors Drop Charges against Li Zhuang

(I'm back from China now. So good to be able to access my blog again! This is a quick post about new developments in the Li Zhuang case.  Li Zhuang was the Beijing lawyer who tried to defend a "gangster" in Chongqing and was jailed himself last year. )

In English:

• China Drops Charges Against Lawyer (WSJ)
• Charges of witness tampering don't stick (China Daily)
• Prosecutors in China Drop Charges Against Lawyer (NYT)

In Chinese:

• 李庄悲喜四天
• 陈有西述评：这是法治中国的胜利 ("This is a victory for the rule of law in China" -- the author, Chen Youxi, was Li Zhuang's lawyer last year)
• 斯伟江：李庄再次被控辩护人妨害作证罪一审辩护词

For more background information, here are my posts following the case last year:

• Lawyer's Trial in Chongqing Rivets Public and Tests Chinese Courts Jan 05, 2010
• The People vs. Li Zhuang (2009) Jan 12, 2010
• What Are Li Zhuang and the Chongqing Government Up to? Feb 04, 2010
• Li Zhuang Receives Reduced Sentence Feb 08, 2010

Lunch with Chinese Friends in Chongqing

by Bob Eberlein

(posted via proxy)

This week I had the opportunity to sit down to lunch in Chongqing with my wife and several of her acquaintances. While my ability to understand Chinese, and even the Sichuan dialect, is pretty good for day-to-day things, my vocabulary is limited, so whenever topics stray too far from the necessities of life, my ability to follow becomes more limited.

Chongqing at Night  (photo by Bob Eberlein)

The lunch topic I was most keen to see discussed  was Bo Xilai, Chongqing’s Party boss who, from crackdowns on criminal gangs to the widespread promotion of Red Songs, is having a big impact on the landscape of Chongqing. My interest was as much in watching the talk; body language reveals a lot and I was wondering both how forthcoming and how energetic her friends would be in discussion. There were two businessmen, who had ridden high on the wave of China’s development, along with an academic. All were living pretty decent lives in modern China.

Reticence, I have to say, was completely lacking. In fact, when the discussion turned to censorship and the freedom people have to speak out in China the attitude was basically that they could say anything they wanted. I am skeptical that this is true, and I learned long ago that, even in America, simple courtesy, along with the desire for continued gainful employment, don’t allow me to constantly say exactly what is on my mind. Still, their attitudes were genuine. They were thinking about speaking privately among friends, not looking for a public platform to express their opinions, and unencumbered speech is pretty believable in that context.

Actually, the whole topic of free speech engendered a great deal of discussion. A lot of time was spent with one person saying, and another agreeing, that China had made great progress in this regard. Discussion of progress in one area led to discussion of progress in another area and again there was agreement progress had been made. No one contested any of the statements about progress, but lots of time was still spent on the topic. There is a feeling among Chinese that foreigners do not recognize that things have changed. I can understand this, and it may actually be a true perception of some foreigners, but it is odd so much time was spent there. 

But what did they think of Bo Xilai? For me, the nature of the answers given was the most telling. He controlled the unchecked migration from rural to urban Chongqing, imposing an order that has been helpul. His crackdown on criminals has made Chongqing safer. The Red Songs are just like advertising and mean nothing (even if they are silly). Mostly they seemed very positive about what Bo Xilai had done, though I was a bit out of my depth trying to understand, so nuances of how he might have done things better likely passed me by. They looked at the decisions to be made as complicated, and (here I am guessing) admired the man for being able to make hard choices. 

Xujun kept pressing on the inherent weakness of the system, and they kept pushing back. As I listened I was hearing about what I would call policies, when Xujun wanted to talk about Bo Xilai and his politics. Xujun translated the response she kept getting as the problems are technical, not systemic. Afterward, when Xujun told her sister they had named the problems as "technical," her sister responded “What does that mean?” Indeed that was the question I had, because the discussion was not about technical issues at all, but rather choices that had been and needed to be made about urbanization and related issues. (Given that we were in Chongqing, China’s fastest developing metropolis, and we were talking to people working in construction-related businesses, urbanization absolutely made sense as the area of biggest concern). 

As far as the future is concerned, one of the topics of conversation that came up was whether the Cultural Revolution could repeat itself, whether there could be another Mao era. It has been a long time since I have heard Mao Zedong’s name spoken so many times in such a short period. Everyone, except Xujun, was pretty adamant that this could not happen (I am also agnostic on this, though I was not adding my opinions). Why? Here I got a little lost but I believe the argument is basically that people have too much to lose, not something they perceived the last time around. A good point, and not one that is lost on me, but it does not dispel my fundamental belief that people can take almost anything for granted and once this happens they no longer perceive it as something they can lose. But I digress.

Later that day, at dinner, Bo Xilai again came up in conversation with another friend. Xujun’s sister asked if it was okay to talk about him and our host hushed her and said of course. I had to laugh at this, fortunately that went unnoticed. More good words, combined with significantly more reticence. He even gave Bo Xilai credit for getting freight to run by rail from Chongqing to Europe. A cool accomplishment, but I am not sure whose credit that really would be. 

As I ponder this I think that the Chinese we were talking to do not believe there is any inherently right approach to either governance or economic policy. Be it Capital or The Wealth of Nations, they simply don’t believe. Absent such a framework there is only experience to build on. It is an empirical approach to governance: “If it aint broke, don’t fix it.” This is common in business, but perhaps antithetical to the percepts of the Founding Fathers of America. This might be the source of the disconnect they see between their reality and American criticism. 

In any case, if they perceive that the problems are not systemic, but technical, then any advice offered by others damned well better be practical!

Glass Magazine Interviews Writers

Glass, a handsome quarterly published in UK, interviews several international writers in their spring issue.  In an article titled "Women Hold Up Half the Sky," the journalist, Samantha Kuok Leese, says about my writing:

Contemporary author Xujun Eberlein is a native of Chongqing, one of China's major south-western cities, who moved to the United States in 1988. Her first book, Apologies Forthcoming, won the 2007 Tartts Fiction Award and established her as one of the most refreshing new voices in Chinese women's writing.

            The collection of eight stories is a moving remembrance of the Cultural Revolution at an individual level, through which Eberlein gives voices to a variety of characters in a range of times and settings. The book's subtitle is pointedly Stories not about Mao. (Note: this refers to the Hong Kong edition – Xujun) Her time outside China encouraged her to present the historical calamity of the Cultural Revolution in small but deeply absorbing episodes.

            "Having lived in two countries of political opposites, I am no longer easily excited by “-ist” labels, be it Communist, capitalist, imperialist, or terrorist. I have learned there are people’s faces behind all those “-ists,” with human commonalities and differences, human weaknesses and biases.  I've seen similarities in national and international politics and propaganda, and the information disparity that exists on both sides of the earth. 

"It is easy for people in each country to see the other in a rather abstract and presumptive manner, instead of as fully fleshed fellow human beings.  My intention was thus to return to the basics of human nature, to portray the characters as realistically human as I could."

There's more about my writing in the article, which also talks about another writer I admire, Xu Xi.  Other writers you will read in this issue are Junot Díaz, Isabel Allende, Russell Hoban, and Liz Calder.  Though the content is not available from their website, you will probably be able to find the magazine on newsstands and in large bookstores. See more information below.

Here's the Glass newsletter that arrived in my inbox:

LED City Gates for Chongqing. What's Next?

This is rather interesting (from China Radio International English):

Chongqing to Build LED Digital City Gates

Southwest China's Chongqing Municipality is rebuilding its old city gates with LED by virtualization, which would reproduce the ancient scene of seventeen gates of the city at night, the Chongqing Morning Post reports.

 

The visuals will be cool, I'm sure. What I'm not sure is whether this is 500 million yuan well spent,  or just another scheme of Bo Xilai's to boost his career achievements as a rising star politician, following his push for mass campaigns such as singing "red songs"  and cadres "aiding" the countryside. The "red song" movement is an eerie reminder of the "loyalty-word dances" (忠字舞) during the Cultural Revolution, and the cadres-leaving-town fad has been dubbed as another "up the mountains and down to the countryside" movement (上山下乡).  But if Bo Xilai is fashioning a modern version of the Cultural Revolution, its style has certainly changed from dark Orwell to euphoric Huxley.  Is Bo aiming to be Chongqing's Mao, or George Burns?

 

Chongqing people singing "red songs" on a replica Great Wall (from mitbbs.com)

P.S. To give you a sense what a city gate in Chongqing is like, here is a photo of the Tongyuan Gate, which I took in spring 2009.  Of the original seventeen ancient gates, this is one of the only two that remain (with some restoration):

Chongqing's Tongyuan Gate (photo taken 2009)