Editor's Note: Among the twenty-three people who received MacArthur Fellowships last month was Yiyun Li, a fiction writer based at the University of California, Davis. Born and raised in Beijing before coming to the United States for graduate work (first in immunology, later in creative writing), Li is one member of a growing community of Chinese authors now writing in English. We asked Xujun Eberlein, also part of that group, to reflect on Li’s writing.I first encountered Yiyun Li’s work in the fall of 2003, in the form of “Immortality,” a longish short story published in The Paris Review that was the first piece of writing by her to make a splash in the literary world. It is about the ups and downs of a Chinese man who is born with a face resembling Mao’s. He makes good use of his unusual feature and enjoys a fortunate life when others are suffering during the Cultural Revolution, but becomes a loser in the post-Mao era. Coming from an area that produced many eunuchs for the imperial court, the man castrates himself in the end.